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All of these clips
were recorded with the master set fairly low. The exceptions
were the "clean" clips, where I had to turn it up to get
the headroom. Unless noted otherwise, a mid-seventies Marshall
4-12 cab was used, utilizing Celestion Greenbacks.
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Bray "100" custom built Plexi head, for a variety of famous Plexi style tones. Options include Vintage/Hot Switch and Channel 2 Dual-Sound. Power tubes are EH EL34s. Les Paul used on the first sections, then a Strat w/ a Duncan '78. |
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Bray “45/50” custom-built Plexi head, with a 5AR4 rectifier
installed. |
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Same amp as above, only a solid state plug-in rectifier was installed in place of the 5AR4 tube. Les Paul used. |
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Bray "45" Plexi head, custom built for the client to go from vintage cleans to screaming brown tones. Options included Dual Master, Vintage/Hot Switch, Channel 2 Dual-Sound, Resonance knob on the rear, and a high-mid boost switch on the rear. Preamp tubes are JJ ECC83s, power tubes are Sino KT66. The first parts are a Les Paul and the last is a strat w/ a Duncan '78 in the bridge. |
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Marshall JTM45 with a Plexi 50-watt output transformer, EH EL34s, and it's own specialized Mod I/Rework. Can be thought of as a 1987x Plexi with a tube rectifier and lower B+ voltage. First part is a Les Paul, second part is a strat with a Duncan '78. |
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Marshall JTM45 with a Plexi 50-watt output transformer, EH EL34s, and it's own specialized Mod I/Rework. Can be thought of as a 1987x Plexi with a tube rectifier and lower B+ voltage. First part is a Les Paul, second part is a strat with a Duncan '78. |
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Marshall 2061x 20-watt head with a 2061x Mod I, lower gain channel, owned by Van McLain of Shooting Star. A Les Paul was used. See below for clip of higher gain channel |
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Same amp and guitar as above, using the higher gain channel. |
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Marshall 1959SLP w/ Mod
II - owned by RJ Ronquillo
, session player as well as guitarist for Ricky Martin
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Marshall 2204 w/ 2203/2204 Mod/Rework - First half is a Les Paul w/ PRS 8 pickups, the second half is a Strat w/ a Duncan '78 in the bridge. |
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Marshall 1987x plexi reissue modded to sound similar to this Betts Toler Video in cleaner settings, and thick Mod I in hotter settings. Guitars are a Les Paul for the first part, and a strat with a single coil in the neck and a humbucker in the bridge for the rest. |
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Marshall 1987x modded for Studio 58A in Italy. Using only two push/pull switches, this amp was modded to have classic Marshall tones, as well as Mod/Rework I tones. The first part of the clip uses a Les Paul w/ PRS 8s for the more classic sounds, the second half uses a Strat w/ a Duncan '78 in the bridge for the Mod/Rework I tones. |
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YouTube video of the above amp being
played over an AC/DC tune by it's owner, "SoloDallas", in Italy. |
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Marshall 1987x w/ a Mod III, voiced for 80's LA sound. Strat w/ Duncan '78 in the bridge. |
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Mojave Peacemaker 100-watt head w/ Mod/Rework I, Strat w/ a Duncan '78 in the bridge. As with the other clips, master is set pretty low. |
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Mojave Scorpion 50-watt head with Mod/Rework I, Strat w/ Duncan '78 in the bridge. |
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Marshall 1987x Plexi RI w/ Mod/Rework I, set up for brown tones. Guitar is a Les Paul w/ PRS 8s. There is an MXR Flanger between the guitar and amp for the first clip. |
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Same amp as above, guitar is Strat copy w/ Duncan '78 in the bridge |
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Marshall "Bluesbreaker" reissue 2-12 combo w/ Mod/Rework I. Has EL34s, as well as Avatar Speakers Hellatone 30s installed. Guitar is a Les Paul w/ PRS 8s. Vintage/Hot switch set in "Vintage" mode. |
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Same amp as above, only controls set for more highs and gain. Guitar is a Strat copy w/ Duncan '78 in bridge. Vintage/Hot switch set in "Hot" mode. |
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Marshall 1987x Plexi Reissue Mod I, set up for classic Marshall tones, as well as hotter Mod/Rework I tones. Guitars are a Les Paul w/ PRS 8s, and a Strat copy w/ Duncan '78 in the bridge. |
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Marshall 1959HW 100-watt handwired plexi w/ Bray Mod/Rework III, Strat w/ Duncan EVH pickup in the bridge. Right side has some ambient room mic added. During the recording, I toggled the Gain Boost footswitch ON and OFF. |
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Marshall 50-watt 1987x Plexi RI w/ Mod/Rework III, Strat w/ Duncan EVH pickup in the bridge. Footswitchable Gain/Boost is OFF. Check out the Plexi Mod page for more info on the Mod/Rework III. |
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Marshall 50-watt 1987x Plexi RI w/ Mod/Rework III, Strat w/ Duncan '78 pickup in the bridge. Footswitchable Gain/Boost is ON. This is the same amp as above. Check out the Plexi Mod page for more info on the Mod/Rework III. |
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Marshall 100-watt 1959SLP w/ Panther High Gain Mod, Strat w/ Duncan '78 pickup in the bridge. Check out the Plexi Mod page for more info on the Panther Mod. |
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Same Marshall 100-watt 1959SLP w/ Panther and guitar as above |
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Marshall 100-watt 1959SLP w/ Bray Mod I, owned by Sammy Hagar Band guitarist Victor Johnson. Stray copy, Duncan '78 in the bridge position. |
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Marshall 100-watt 1959SLP Handwired Series
w/ Bray Mod II, owned by Puddle Of Mudd guitarist
Jimmy Allen. Beginning tuned-down section is a Les Paul with a
Duncan Custom in the bridge. The rest was done w/ a Strat using a Duncan
'78 in the bridge. |
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Marshall 100-watt 1959SLP HW (same amp as above, using same Strat) |
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Clark Beaufort 1-12 combo...remake of the famous Fender 5E3 tweed Deluxe. Client wanted more gain and tightness, yet still wanted to keep the "tweed vibe" happening. A very well-built amp..using 1 12" Celestion Alnico Blue. A Les Paul w/ PRS 8s was used. Check out the sweet "ghosting" right near the end. |
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Metroamp 100-watt plexi w/ Metro Dagnall clone output transformer, Mod/Rework II, Channel 2 Dual-sound push/pull switch, Strat w/ '78 Duncan in the bridge. |
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Marshall 100-watt 1959SLP HW hand-wired head w/ Bray Mod/Rework I, Les Paul w/ PRS 8 pickups |
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Marshall 100-watt 1959SLP HW hand-wired head w/ Bray Mod/Rework I, Strat copy w/ Duncan EVH in the bridge position |
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Marshall 100-watt 1959SLP w/ Bray Mod/Rework I, '78 bridge PU, strat copy (MXR Phase 90 between guitar and amp on second half of clip) |
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Marshall plexi reissue 50-watt w/ Bray Mod/Rework I, '78 bridge PU, strat copy (MXR Flanger between guitar and amp) |
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Marshall 1959SLP reissue w/ Bray Mod I, High-Cut Switch "ON" |
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Custom Strat built by Scott Platts at StoneTree Guitars using Lindy Fralin Vintage Hot pickups into a Marshall 1987x 50-watt reissue w/ Bray Mod I |
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Same rig as above |
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Marshall 1959SLP reissue w/ Bray Mod II, Strat copy w/ '78 in bridge |
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66 Fender Bassman w/ Bray Mod/Re-work, strat copy w/ Duncan Humbucker in bridge. No holes drilled in chassis. Original parts returned (I do that with all amps.) |
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Strat w/ Bridge p/u, Marshall JTM45 Bray Mod/Re-work, first half of clip has the High-Cut switch in the "ON" position. Output tubes are TAD6L6CG-STR. |
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Strat, Fender Strat neck p/u, then Seymour Duncan '78 Bridge p/u, into a Marshall JTM45 reissue with Bray Mod/Re-work, using Winged "C" SED 6L6GC in the output section, as well as a 5AR4 rectifier and the stock Marshall preamp tubes. |
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Same amp and guitar as above, except Gain Boost installed on push/pull pot is set to "ON" |
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Strat copy, Seymour Duncan '78 in bridge, Marshall Plexi Reissue 50-watt w/ Bray Mod/Rework II using Electro Harmonix 12AX7EHs in the preamp and Electro Harmonix 6CA7EH in the output section. |