All
of these clips were recorded with the master set fairly
low. The exceptions were the "clean" clips, where
I had to turn it up to get the headroom. Unless noted otherwise,
a mid-seventies Marshall 4-12 cab was used, utilizing Celestion
Greenbacks.
[ Marshall 1959SLP Mod
II Mod/Rework ] - Marshall 1959SLP w/ Mod II, owned by RJ Ronquillo , session
player
as well as guitarist for Ricky Martin .
[ Marshall 2204 Mod/Rework
] - Marshall 2204 w/ 2203/2204 Mod/Rework. First half is a
Les Paul w/ PRS 8
pickups, the second
half is a Strat w/ a Duncan '78 in the bridge.
[ Marshall 1987x 50-watt
] - Marshall 1987x plexi reissue modded
to sound similar to this Betts Toler Video
in cleaner settings, and
thick Mod I in hotter settings. Guitars are a Les Paul
for the first part, and a
strat with a single coil in the neck and a humbucker
in the bridge for the rest.
[ Marshall 1959SLP Panther
Mod ] - Marshall 100-watt 1959SLP w/ Panther High Gain Mod,
Strat w/
Duncan '78 pickup in the bridge. Check out the Plexi Mod page for more
info on the Panther Mod.
[ Marshall
1959SLP Panther Mod ] - Same Marshall 100-watt 1959SLP w/ Panther and guitar as
above
[ Marshall 1959SLP
Mod I ] -Marshall 100-watt
1959SLP w/ Bray Mod I, owned by Sammy Hagar
Band
guitarist Victor Johnson. Stray copy, Duncan '78
in the bridge position.
[
Marshall 1959SLP
HW Mod II ] - Marshall 100-watt 1959SLP
Handwired Series w/ Bray Mod II, owned by
Puddle Of Mudd
guitarist Jimmy Allen. Beginning tuned-down section is
a Les Paul with a Duncan Custom in the bridge. The rest
was done w/ a Strat
using a Duncan '78 in the
bridge.
[ Marshall
1959SLP HW Mod II ] - Marshall 100-watt
1959SLP HW (same amp as above, using same Strat)
[ Metroamp 100-watt
plexi ] - Metroamp 100-watt
plexi w/ Metro Dagnall clone output transformer,
Mod/Rework II, Channel 2 Dual-sound push/pull switch,
Strat w/ '78 Duncan
in the bridge.
[ Brown Tone
1959SLP HW ] -Marshall
100-watt 1959SLP HW hand-wired head w/ Bray Mod/Rework I,
Les Paul w/ PRS 8 pickups
[ Brown Tone
1959SLP HW ] -Marshall
100-watt 1959SLP HW hand-wired head w/ Bray Mod/Rework I,
Strat copy w/ Duncan EVH in the bridge position
[Brown
Tone 100-watt ]
- Marshall 100-watt 1959SLP w/ Bray Mod/Rework
I, '78 bridge PU,
strat copy (MXR Phase 90 between guitar and amp on second
half of clip)
[ Brown Tone
50-watt ]
- Marshall plexi reissue 50-watt w/ Bray
Mod/Rework I, '78 bridge PU,
strat copy
(MXR Flanger between
guitar and amp)
[ Marshall
1959SLP, High-Cut Switch ] - Marshall 1959SLP reissue w/ Bray Mod
I, High-Cut Switch "ON"
[ Strat Dirty
]
- Custom Strat
built by Scott Platts at StoneTree Guitars using Lindy
Fralin
Vintage Hot pickups into a Marshall 1987x 50-watt reissue
w/ Bray Mod I
[ Strat Clean
]
- Same
rig as above
[ Marshall 1959SLP
Mod/Rework II ] - Marshall 1959SLP reissue w/ Bray Mod II, Strat
copy w/ '78 in bridge
[ Fender Bassman
Mod/Re-work ] - '66 Fender Bassman w/ Bray Mod/Re-work,
strat copy w/ Duncan Humbucker
in bridge. No holes drilled in chassis. Original
parts returned (I do that with all
amps.)
[ JTM45 Mod/Re-work w/ High-Cut Switch ] - Strat w/ Bridge p/u, Marshall JTM45 Bray Mod/Re-work, first half of clip has the High-Cut switch in the "ON" position. Output tubes are TAD6L6CG-STR.
[ JTM45 Mod/Re-work
]
- Strat, Fender Strat neck p/u, then Seymour Duncan
'78 Bridge p/u, into
a Marshall JTM45 reissue with Bray
Mod/Re-work, using Winged
"C" SED 6L6GC
in the output
section, as
well as a 5AR4 rectifier and the stock Marshall
preamp tubes.
[ JTM45 Mod/Re-work
]
- Same amp and guitar as above, except Gain Boost installed
on push/pull
pot is set to "ON"
[ Bray Mod II ]
- Strat
copy, Seymour Duncan '78 in bridge, Marshall Plexi Reissue 50-watt
w/ Bray Mod/Rework II using
Electro
Harmonix 12AX7EHs in the preamp
and Electro
Harmonix 6CA7EH in the output section.